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Culture of Class - Radio and Cinema in the Making of a Divided Argentina, 1920-1946 (Hardcover, New)
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Culture of Class - Radio and Cinema in the Making of a Divided Argentina, 1920-1946 (Hardcover, New)
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In an innovative cultural history of Argentine movies and radio in
the decades before Peronism, Matthew B. Karush demonstrates that
competition with jazz and Hollywood cinema shaped Argentina's
domestic cultural production in crucial ways, as Argentine
producers tried to elevate their offerings to appeal to consumers
seduced by North American modernity. At the same time, the
transnational marketplace encouraged these producers to compete by
marketing "authentic" Argentine culture. Domestic filmmakers, radio
and recording entrepreneurs, lyricists, musicians, actors, and
screenwriters borrowed heavily from a rich tradition of popular
melodrama. Although the resulting mass culture trafficked in
conformism and consumerist titillation, it also disseminated
versions of national identity that celebrated the virtue and
dignity of the poor, while denigrating the wealthy as greedy and
mean-spirited. This anti-elitism has been overlooked by historians,
who have depicted radio and cinema as instruments of social
cohesion and middle-class formation. Analyzing tango and folk
songs, film comedies and dramas, radio soap operas, and other
genres, Karush argues that the Argentine culture industries
generated polarizing images and narratives that provided much of
the discursive raw material from which Juan and Eva Peron built
their mass movement.
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