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Eye of the Taika - New Zealand Comedy and the Films of Taika Waititi (Paperback)
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Eye of the Taika - New Zealand Comedy and the Films of Taika Waititi (Paperback)
Series: Contemporary Approaches to Film and Media Series
Expected to ship within 10 - 15 working days
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Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi
is the first book-length study of comic film director and media
celebrity Taika Waititi. Author Matthew Bannister analyses
Waititi's feature films and places his other works and
performances-short films, TV series, advertisements, music videos,
and media appearances-in the fabric of popular culture. The book's
thesis is that Waititi's playful comic style draws on an ironic
reading of NZ identity as Antipodean camp, a style which reflects
NZ's historic status as colonial underdog. The first four chapters
of Eye of the Taika explore Waititi's early life and career, the
history of New Zealand and its film industry, the history of local
comedy and its undervaluation in favor of more ""serious"" art, and
ethnicity in New Zealand comedy. Bannister then focuses on
Waititi's films, beginning with Eagle vs Shark (2007) and its place
in ""New Geek Cinema,"" despite being an outsider even in this
realm. Bannister uses Boy (2010) to address the ""comedian
comedy,"" arguing that Waititi is a comedic entertainer before
being a director. With What We Do in The Shadows (2014), Bannister
explores Waititi's use of the vampire as the archetypal immigrant
struggling to fit into mainstream society, under the guise of a
mockumentary. Waititi's Hunt for the Wilderpeople (2016), Bannister
argues, is a family-friendly, rural-based romp that plays on and
ironizes aspects of Aotearoa/New Zealand identity. Thor: Ragnarok
(2017) launched Waititi into the Hollywood realm, while introducing
a Polynesian perspective on Western superhero ideology. Finally,
Bannister addresses Jojo Rabbit (2019) as an ""anti-hate satire""
and questions its quality versus its topicality and timeliness in
Hollywood. By viewing Waititi's career and filmography as a series
of pranks, Bannister identifies Waititi's playful balance between
dominant art worlds and emergent postcolonial innovations, New
Zealand national identity and indigenous Aotearoan (and Jewish)
roots, and masculinity and androgyny. Eye of the Taika is intended
for film scholars and film lovers alike.
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