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Beckett's Literary Legacies (Hardcover, Unabridged edition)
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Beckett's Literary Legacies (Hardcover, Unabridged edition)
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Featuring twelve chapters on a range of novelists, poets and
dramatists, Beckett's Literary Legacies is the first volume
dedicated to charting the truly global influence of Samuel Beckett
upon contemporary literature. To do this, editors Feldman and Nixon
have included studies of both internationally recognised authors
(Auster, Muldoon, Celan) and lesser-known figures within Anglophone
scholarship (Laederach, Mayroecker)-all of whom reveal a
demonstrable indebtedness to Beckett's art. With this criteria to
hand, case studies, no less than their respective contributors,
reflect the international reception of Beckett's revolutionary
artistic project: from Japan (Oe), the United States (DeLillo) and
South Africa (Coetzee) to France (Blanchot) and Britain (Kane) and,
of course, Ireland (Banville). In addition to finding that
Beckett's shadow is a long and indeed diffuse one, commentators
here also stress the challenge his oeuvre presents to authors
writing alongside and after him: reflexivity and literary
abstraction, radical stoicism and structural innovation; all of
these are recurring themes the 1969 Nobel Laureate has engendered.
While the list of 'legacees' is exhaustive and by no means limited
to literature, as the only study to date covering this often
paradoxical, always fascinating subject, Beckett's Literary
Legacies offers a sustained exploration of Samuel Beckett's
burgeoning artistic legacy. From the introduction:'Through
wide-ranging example, contributors to this volume have undertaken
analyses of Beckett's influence on major international writers,
most of whom are still alive and at work forging their own literary
legacies. As for Beckett's, the authors surveyed here find that
legacy to be both philosophically rich and artistically
challenging. And Beckett scholars of similarly global breadth
consider Beckett's art to be a truly revolutionary one, pushing at
the very boundaries of literature. What follows is the first
sustained attempt to gauge the literary impact of that project,
[...] for the majority of the critics and their respective case
studies here, Beckett's influence represents an apparent schism in
the Western literary canon, one perceived to be an artistic
challenge no less than a literary liberation from
representation-however well-disguised the latter may be.'
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