Satire, according to Jonathan Swift, is a mirror where beholders
generally discover everybody's face but their own. and over
twenty-four centuries the mirror of satirical literature has taken
on many shapes. Yet certain techniques recur continually, certain
themes are timeless, and some targets are perennial. Politics (the
mismanagement of men by other men) has always been a target of
satire, as has the war between sexes.
The universality of satire as a mode and creative impulse is
demonstrated by the cross-cultural development of lampoon and
travesty. Its deep roots and variety are shown by the persistence
of allegory, fable, aphorism, and other literary subgenres. Hodgart
analyzes satire at some of its most exuberant moments in Western
literature, from Aristophanes to Brecht. His analysis is
supplemented by a selection and discussion of prints and
cartoons.
Satire continues to help us make sense of the conventions that
seem to have been almost genetically transmitted from their satiric
ancestors to our digital contemporaries. This is especially evident
in Hodgart's repeated references to satire's predilection for the
ephemeral, for camouflaging itself among the everyday, for speaking
to the moment, and thus for integrating itself as deeply as
possible into society. Brian Connery's new introduction places
Hodgart's analysis in its proper place in the development of
twentieth-century criticism.
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