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Anti-Black Racism in Early Modern English Drama - The Other "Other" (Hardcover)
Loot Price: R4,156
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Anti-Black Racism in Early Modern English Drama - The Other "Other" (Hardcover)
Series: Routledge Studies in Renaissance Literature and Culture
Expected to ship within 12 - 17 working days
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This is the first book to deploy the methods and ensemble of
questions from Afro-pessimism to engage and interrogate the methods
of Early Modern English studies. Using contemporary Afro-pessimist
theories to provide a foundation for structural analyses of race in
the Early Modern Period, it engages the arguments for race as a
fluid construction of human identity by addressing how race in
Early Modern England functioned not only as a marker of human
identity, but also as an a priori constituent of human
subjectivity. Chapman argues that Blackness is the marker of social
death that allows for constructions of human identity to become
transmutable based on the impossibility of recognition and
incorporation for Blackness into humanity. Using dramatic texts
such as Othello, Titus Andronicus, and other Early Modern English
plays both popular and lesser known, the book shifts the binary
away from the currently accepted standard of white/non-white that
defines "otherness" in the period and examines race in Early Modern
England from the prospective of a non-black/black antagonism. The
volume corrects the Afro-pessimist assumption that the Triangle
Slave Trade caused a rupture between Blackness and humanity. By
locating notions of Black inhumanity in England prior to chattel
slavery, the book positions the Triangle Trade as a result of,
rather than the cause of, Black inhumanity. It also challenges the
common scholarly assumption that all varying types of human
identity in Early Modern England were equally fluid by arguing that
Blackness functioned as an immutable constant. Through the use of
structural analysis, this volume works to simplify and demystify
notions of race in Renaissance England by arguing that race is not
only a marker of human identity, but a structural antagonism
between those engaged in human civil society opposed to those who
are socially dead. It will be an essential volume for those with
interest in Renaissance Literature and Culture, Shakespeare,
Contemporary Performance Theory, Black Studies, and Ethnic Studies.
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