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Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music (Hardcover, New Ed)
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Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music (Hardcover, New Ed)
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Mattias Lundberg investigates the historical role of a deviant
psalm-tone, the tonus peregrinus, focusing on its applications in
polyphonic music within all major branches of Western liturgy.
Throughout the remarkably persistent tradition of applying this
melody to polyphony, from the ninth century right up to the
twenty-first, coeval music theory is able to shed light on the
problems it has posed to modal and tonal practice at various
historical stages. The musical settings studied hold up a mirror to
the general development of psalmody, concerning practices of
organum, diverse regional forms of fauxbourdon, cantus firmus
composition, free imitation, parody, fugue, quodlibet, monody, and
many other compositional techniques where the unique features of
the psalm-tone have necessitated modification of existing
practices. The conclusions drawn reveal a musico-liturgical
tradition that was not in real danger of extinction until the
general decline of Western liturgy that followed in the eighteenth
century, at which point the historiography of the tonus peregrinus
became a factor stimulating scholarly and musical interest in its
alleged pre-Christian origins. Lundberg demonstrates that the
succession of works based on the tonus peregrinus often preserved a
distinctly conservative musical and theological conception even
during periods of drastic liturgical reform.
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