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The City's End - Two Centuries of Fantasies, Fears, and Premonitions of New York's Destruction (Paperback)
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The City's End - Two Centuries of Fantasies, Fears, and Premonitions of New York's Destruction (Paperback)
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Long before 9/11, visions of the destruction of New York City were
a part of America's collective imagination From nineteenth-century
paintings of fires raging through New York City to scenes of
Manhattan engulfed by a gigantic wave in the 1998 movie Deep
Impact, images of the city's end have been prolific and diverse.
Why have Americans repeatedly imagined New York's destruction? What
do the fantasies of annihilation played out in virtually every form
of literature and art mean? This book is the first to investigate
two centuries of imagined cataclysms visited upon New York, and to
provide a critical historical perspective to our understanding of
the events of September 11, 2001. Max Page examines the destruction
fantasies created by American writers and imagemakers at various
stages of New York's development. Seen in every medium from
newspapers and films to novels, paintings, and computer software,
such images, though disturbing, have been continuously popular.
Page demonstrates with vivid examples and illustrations how each
era's destruction genre has reflected the city's economic,
political, racial, or physical tensions, and he also shows how the
images have become forces in their own right, shaping Americans'
perceptions of New York and of cities in general.
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