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Object and Apparition - Envisioning the Christian Divine in the Colonial Andes (Paperback, 3rd)
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Object and Apparition - Envisioning the Christian Divine in the Colonial Andes (Paperback, 3rd)
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When Christianity was imposed on Native peoples in the Andes,
visual images played a fundamental role, yet few scholars have
written about this significant aspect. Object and Apparition
proposes that Christianity took root in the region only when both
Spanish colonizers and native Andeans actively envisioned the
principal deities of the new religion in two- and three-dimensional
forms. The book explores principal works of art involved in this
process, outlines early strategies for envisioning the Christian
divine, and examines later, more effective approaches. Maya
Stanfield-Mazzi demonstrates that among images of the divine there
was constant interplay between concrete material objects and
ephemeral visions or apparitions. Three-dimensional works of art,
specifically large-scale statues of Christ and the Virgin Mary,
were key to envisioning the Christian divine, the author contends.
She presents in-depth analysis of three surviving statues: the
Virgins of Pomata and Copacabana (Lake Titicaca region) and Christ
of the Earthquakes from Cusco. Two-dimensional painted images of
those statues emerged later. Such paintings depicted the
miracle-working potential of specific statues and thus helped to
spread the statues' fame and attract devotees. ""Statue paintings""
that depict the statues enshrined on their altars also served the
purpose of presenting images of local Andean divinities to
believers outside church settings. Stanfield-Mazzi describes the
unique features of Andean Catholicism while illustrating its
connections to both Spanish and Andean cultural traditions. Based
on thorough archival research combined with stunning visual
analysis, Object and Apparition analyzes the range of artworks that
gave visual form to Christianity in the Andes and ultimately caused
the new religion to flourish.
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