The problematic connection between avant-garde and fascism is
looked at in the present study for the first time with specific
reference to Spanish literature. Inquiry into the reactionary
visage of modernism opens up a perspective on a forgotten sector of
narrative prose (GimA(c)nez Caballero, BorrAs, XimA(c)nez de
Sandoval, Ros, ObregA3n). Without indulging in reductionist
theorizing, the study draws upon texts by these authors to
delineate the ideological functionalization of certain elements of
avant-garde discourse. On the content plane this development is
traceable in the portrayal of identity problems and the depiction
of relations between individual and society. The volume closes with
remarks on various aspects of the fascist >aestheticization
General
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