George Eliot's writing process was meticulous in all of its phases,
from manuscript to published text. Each of her extensive novels has
a delicately crafted syntax, for she shaped her individual
sentences as carefully as she wanted her public to read them.
Building on the influence of Victorian psychological theory, this
book explains how George Eliot consciously created subtle shocks
within her grammar-reaching out to her readers beneath the levels
of character and story-in her effort to inspire sympathetic
response.
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