Through an exploration of women authors' engagements with copyright
and married women's property laws, American Women Authors and
Literary Property, 1822-1869, revises nineteenth-century American
literary history, making women's authorship and copyright law
central. Using case studies of five popular fiction writers -
Catharine Sedgwick, Harriet Beecher Stowe, Fanny Fern, Augusta
Evans, and Mary Virginia Terhune - Homestead shows how the
convergence of copyright and coverture both fostered and
constrained white women's agency as authors. Women authors
exploited their status as nonproprietary subjects to advantage by
adapting themselves to a copyright law that privileged
readers'access to literature over authors' property rights.
Homestead's inclusion of the Confederacy in this work sheds light
on the centrality of copyright to nineteenth-century American
nationalisms and on the strikingly different construction of author
reader relations under U.S. and Confederate copyright laws.
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