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Britten and the Far East - Asian Influences in the Music of Benjamin Britten (Paperback, New Ed)
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Britten and the Far East - Asian Influences in the Music of Benjamin Britten (Paperback, New Ed)
Series: Aldeburgh Studies in Music
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For anyone wanting to get to grips with Britten's music and his
eclectic compositional style - crucial reading. MUSIC AND LETTERS
Fascinating and persuasive blend of documentary and critical study.
MUSICAL TIMES Benjamin Britten's interest in the musical traditions
of the Far East had a far-reaching influence on his compositional
style; this book is the first to investigate the highly original
cross-cultural synthesis he was able to achieve through the use of
material borrowed from Balinese, Japanese and Indian music.
Britten's visit to Indonesia and Japan in 1955-6 is reconstructed
from archival sources, and shown to have had a profound impact on
his subsequent work: the techniques of Balinese gamelan music were
used in the ballet The Prince of the Pagodas (1957), and then
became an essential feature of Britten's compositional style, at
their most potent in Death in Venice(1973). The No drama and Gagaku
court music of Japan were the inspiration for the trilogy of church
parables Britten composed in the 1960s. The precise nature of these
influences is discussed; Britten's sporadic borrowings from Indian
music are also fully analysed. There is a survey of critical
response to Britten's cross-cultural experiments.Accompanying CD of
original Balinese, Japanese and Indian recordings used by Britten
as source material.Dr MERVYN COOKE lectures in music at the
University of Nottingham.
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