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Henry James Framed - Material Representations of the Master (Hardcover)
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Henry James Framed - Material Representations of the Master (Hardcover)
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Henry James Framed is a cultural history of Henry James as a work
of art. Throughout his life, James demonstrated an abiding interest
in-some would say an obsession with-the visual arts. In his most
influential testaments about the art of fiction, James frequently
invoked a deeply felt analogy between imaginative writing and
painting. At a time when having a photographic carte de visite was
an expected social commonplace, James detested the necessity of
replenishing his supply or of distributing his autographed image to
well-wishing friends and imploring readers. Yet for a man who set
the highest premium on personal privacy, James seems to have had
few reservations about serving as a model for artists in other
media and sat for his portrait a remarkable number of twenty-four
times. Surprisingly few James scholars have brought into primary
focus those occasions when the author was not writing about art but
instead became art himself, through the creative expression of
another's talent. To better understand the twenty-four occasions he
sat for others to represent him, Michael Anesko reconstructs the
specific contexts for these works' coming into being, assesses
James's relationships with his artists and patrons, documents his
judgments concerning the objects produced, and, insofar as
possible, traces the later provenance of each of them. James's
long-established intimacy with the studio world deepened his
understanding of the complex relationship between the artist and
his sitter. James insisted above all that a portrait was a
revelation of two realities: the man whom it was the artist's
conscious effort to reveal and the artist, or interpreter,
expressed in the very quality and temper of that effort. The
product offered a double vision-the strongest dose of life that art
could give, and the strongest dose of art that life could give.
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