D. H. Lawrence once wrote that 'we have no language for the
feelings'. The remark testifies to the struggle in his novels to
express his sophisticated understanding of the nature of being
through the intransigent medium of language. Michael Bell argues
that Lawrence's unfashionable status stems from a failure to
perceive within his informal expression the nature and complexity
of his ontological vision. He traces the evolution of the struggle
for its articulation through the novels, and looks at the way in
which Lawrence himself made it a conscious theme in his writing.
Embracing in this argument Lawrence's failures as a writer, his
rhetorical stridency and also his primitivist extremism, Michael
Bell creates a powerful and fresh sense of his true importance as a
novelist.
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