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Gay Fandom and Crossover Stardom - James Dean, Mel Gibson, and Keanu Reeves (Paperback)
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Gay Fandom and Crossover Stardom - James Dean, Mel Gibson, and Keanu Reeves (Paperback)
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Why and how does the appeal of certain male Hollywood stars cross
over from straight to gay audiences? Do stars lose their cachet
with straight audiences when they cross over? In "Gay Fandom and
Crossover Stardom "Michael DeAngelis responds to these questions
with a provocative analysis of three famous actors--James Dean, Mel
Gibson, and Keanu Reeves. In the process, he traces a fifty-year
history of audience reception that moves gay male fandom far beyond
the realm of "camp" to places where culturally unauthorized
fantasies are nurtured, developed, and shared.
DeAngelis examines a variety of cultural documents, including
studio publicity and promotional campaigns, star biographies,
scandal magazines, and film reviews, as well as gay political and
fan literature that ranges from the closeted pages of "One" and
"Mattachine Review" in the 1950s to the very "out" dish columns,
listserv postings, and on-line star fantasy narratives of the past
decade. At the heart of this close historical study are treatments
of particular film narratives, including "East of Eden, Rebel
Without a Cause, The Road Warrior, Lethal Weapon, My Own Private
Idaho, " and "Speed." Using theories of fantasy and melodrama, "Gay
Fandom and Crossover Stardom" demonstrates how studios, agents, and
even stars themselves often actively facilitate an audience's
strategic blurring of the already tenuous distinction between the
heterosexual mainstream and the gay margins of American popular
culture.
In addition to fans of James Dean, Mel Gibson, and Keanu Reeves,
those interested in film history, cultural studies, popular
culture, queer theory, gender studies, sociology, psychoanalytic
theory, melodrama, fantasy, and fandom will enjoy this book.
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