The practical and artistic creations of native peoples permeate
everyday life in settler nations, from the design elements on our
clothing to the plot-lines of books we read to our children.
Rarely, however, do native communities benefit materially from this
use of their heritage, a situation that drives growing resistance
to what some denounce as "cultural theft."
"Who Owns Native Culture?" documents the efforts of indigenous
peoples to redefine heritage as a proprietary resource. Michael
Brown takes readers into settings where native peoples defend what
they consider their cultural property: a courtroom in Darwin,
Australia, where an Aboriginal artist and a clan leader bring suit
against a textile firm that infringes sacred art; archives and
museums in the United States, where Indian tribes seek control over
early photographs and sound recordings collected in their
communities; and the Mexican state of Chiapas, site of a
bioprospecting venture whose legitimacy is questioned by
native-rights activists.
By focusing on the complexity of actual cases, Brown casts light
on indigenous claims in diverse fields--religion, art, sacred
places, and botanical knowledge. He finds both genuine injustice
and, among advocates for native peoples, a troubling tendency to
mimic the privatizing logic of major corporations.
The author proposes alternative strategies for defending the
heritage of vulnerable native communities without blocking the open
communication essential to the life of pluralist democracies. "Who
Owns Native Culture?" is a lively, accessible introduction to
questions of cultural ownership, group privacy, intellectual
property, and the recovery of indigenous identities.
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