Ra?l Ruiz, while considered one of the world's most significant
filmmakers by several film critics, is yet to be the subject of any
thorough engagement with his work in English. This volume sets out
on this task by mapping, as fully as possible, Ruiz's cinematic
trajectory across more than five decades of prolific work, up to
his death in 2011; ranging from his earliest work in Chile to
high-budget 'European' costume dramas culminating in Mysteries of
Lisbon (2010). It does so by treating Ruiz's work -- with its
surrealist, magic realist, popular cultural, and neo-Baroque
sources -- as a type of 'impossible' cinematic cartography, mapping
real, imaginary, and virtual spaces, and crossing between different
cultural contexts, aesthetic strategies, and technical media. It
argues that across the different phases of Ruiz's work identified,
there are key continuities such as the invention of singular
cinematic images and the interrogation of their possible and
impossible combinations.
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