The first book devoted to a wide-ranging study of developments in
global French-language cinema, from Quebec to Mauritania and from
Belgium to Cambodia, Cinema-monde picks up on the lively scholarly
debates generated by the related topic of litterature-monde.
Extending the scope of this debate to cover the thriving and
diverse area of international French-language cinema, this
innovative book also considers cinema from France within the
context of global production. With contributions from an
international range of specialists, and with considerations of
works by contemporary directors like Rachid Bouchareb, Abderrahmane
Sissako and Rithy Panh, Cinema-monde explores the porous borders
around francophone spaces and the ways in which languages and
identities 'travel' in contemporary cinema.
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