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National Identity in Contemporary Australian Opera - Myths Reconsidered (Paperback)
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National Identity in Contemporary Australian Opera - Myths Reconsidered (Paperback)
Series: Ashgate Interdisciplinary Studies in Opera
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Opera has been performed in Australia for more than two hundred
years, yet none of the operas written before the Second World War
have become part of the repertoire. It is only in the late 1970s
and early 1980s that there is evidence of the successful systematic
production of indigenous opera. The premiere of Voss by Richard
Meale and David Malouf in 1986 was a watershed in the staging and
reception of new opera, and there has been a diverse series of new
works staged in the last thirty years, not only by the national
company, but also by thriving regional institutions. The emergence
of a thriving operatic tradition in contemporary Australia is
inextricably enmeshed in Australian cultural consciousness and
issues of national identity. In this study of eighteen
representative contemporary operas, Michael Halliwell elucidates
the ways in which the operas reflect and engage with the issues
facing contemporary Australians. Stylistically these eighteen
operas vary greatly. The musical idiom is diverse, ranging from
works in a modernist idiom such as The Ghost Wife, Whitsunday, Fly
Away Peter, Black River and Bride of Fortune, to Voss, Batavia,
Bliss, Lindy, Midnight Son, The Riders, The Summer of the
Seventeenth Doll and The Children's Bach being works which straddle
several musical styles. A number of operas draw strongly on musical
theatre including The Eighth Wonder, Pecan Summer, The Rabbits and
Cloudstreet, and Love in the Age of Therapy is couched in a
predominantly jazz idiom. While some of them are overtly political,
all, at least tangentially, deal with recent cultural politics in
Australia and offer sharply differing perspectives.
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