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The Grand Chorus of Complaint - Authors and the Business Ethics of American Publishing (Hardcover)
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The Grand Chorus of Complaint - Authors and the Business Ethics of American Publishing (Hardcover)
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When Lord Byron toasted Napoleon for executing a bookseller, and
when American satirist Fitz-Greene Halleck picketed his New York
publisher for trying to starve him, both writers were taking part
in a time-honored tradition-styling publishers as unregenerate
capitalists. However apocryphal, both stories speak to the
longstanding feud between writers and publishers over how the book
business ought to be conducted. Such grumblings were so constant
throughout the nineteenth century that Horace Greeley wearily
referred to them collectively as "the grand chorus of complaint."
Ranging from the Revolution to the Civil War, The Grand Chorus of
Complaint explores moral propriety in American literary culture,
arguing that debates over the business of authorship and publishing
in the United States were simultaneously debates over the ethics
and character of capitalism. Michael Everton shows that the moral
discourse authors and publishers used in these debates was not
intended as a distraction from debates over economics, intellectual
property, or gender in American literary culture. Instead, morality
was itself at issue. With case studies of the fraught publication
experiences of authors including Thomas Paine, Hannah Adams, Herman
Melville, Fanny Fern, and Gail Hamilton, Everton argues that in
their business correspondence and fiction, in their diaries and
essays, authors and publishers talked so much about ethics not to
obfuscate their convictions but to clarify them in a commercial
world preoccupied by the meanings and efficacy of moral beliefs.
The Grand Chorus of Complaint illustrates that ethics should matter
as much to book historians as much as it has come to
matter-again-to literary critics and theorists.
Through wide-ranging primary-source research backed by a nuanced
layering of historical detail, The Grand Chorus of Complaint
dissects the role of morality in the print culture of eighteenth-
and nineteenth-century America, providing a valuable new
perspective on formative forces in the publishing trade.
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