From viral videos on YouTube to mobile television on smartphones
and beyond, TV has overflowed its boundaries. If Raymond Williams'
concept of flow challenges the idea of a discrete television text,
then convergence destabilizes the notion of television as a
discrete object.
Flow TV examines television in an age of technological,
economic, and cultural convergence. Seeking to frame a new set of
concerns for television studies in the 21st century, this
collection of all new essays establishes television's continued
importance in a shifting media culture. Considering television and
new media not as solely technical devices, but also as social
technologies, the essays in this anthology insist that we turn our
attention to the social, political, and cultural practices that
surround and inform those devices' use. The contributors examine
television through a range of critical approaches from formal and
industrial analysis to critical technology studies, reception
studies, political economy, and critiques of television's
transnational flows. This volume grows out of the critical
community formed around the popular online journal Flow: A Critical
Form on Television and Media Culture (flowtv.org). It is ideal for
courses in television studies or media convergence.
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