Finally breaking through heterosexual cliches of flirtatious
belles and cavaliers, sinister black rapists and lusty "Jezebels,"
"Cotton's Queer Relations" exposes the queer dynamics embedded in
myths of the southern plantation. Focusing on works by Ernest J.
Gaines, William Faulkner, Tennessee Williams, Lillian Hellman,
Katherine Anne Porter, Margaret Walker, William Styron, and Arna
Bontemps, Michael P. Bibler shows how each one uses figures of
same-sex intimacy to suggest a more progressive alternative to the
pervasive inequalities tied historically and symbolically to the
South's most iconic institution.
Bibler looks specifically at relationships between white men of
the planter class, between plantation mistresses and black maids,
and between black men, arguing that while the texts portray the
plantation as a rigid hierarchy of differences, these queer
relations privilege a notion of sexual sameness that joins the
individuals as equals in a system where equality is rare indeed.
Bibler reveals how these models of queer egalitarianism attempt to
reconcile the plantation's regional legacies with national debates
about equality and democracy, particularly during the eras of the
New Deal, World War II, and the civil rights movement. "Cotton's
Queer Relations "charts bold new territory in southern studies and
queer studies alike, bringing together history and cultural theory
to offer innovative readings of classic southern texts.
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