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Fugitive Texts - Slave Narratives in Antebellum Print Culture (Hardcover)
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Fugitive Texts - Slave Narratives in Antebellum Print Culture (Hardcover)
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Antebellum slave narratives have taken pride of place in the
American literary canon. Once ignored, disparaged, or simply
forgotten, the autobiographical narratives of Frederick Douglass,
Harriet Jacobs, and other formerly enslaved men and women are now
widely read and studied. One key aspect of the genre, however, has
been left unexamined: its materiality. What did original editions
of slave narratives look like? How were these books circulated? Who
read them? In Fugitive Texts, MichaEl Roy offers the first
book-length study of the slave narrative as a material artifact.
Drawing on a wide range of sources, he reconstructs the publication
histories of a number of famous and lesser-known narratives,
placing them against the changing backdrop of antebellum print
culture. Slave narratives, he shows, were produced through a
variety of print networks. Remarkably few were published under the
full control of white-led antislavery societies; most were
self-published and distributed by the authors, while some were
issued by commercial publishers who hoped to capitalize on the
success of Harriet Beecher Stowe's Uncle Tom's Cabin. The material
lives of these texts, Roy argues, did not end within the pages.
Antebellum slave narratives were "fugitive texts" apt to be
embodied in various written, oral, and visual forms. Published to
rave reviews in French, Fugitive Texts illuminates the
heterogeneous nature of a genre often described in monolithic terms
and ultimately paves the way for a redefinition of the literary
form we have come to recognize as "the slave narrative."
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