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The narrative of the assassination of John F. Kennedy in Oliver Stone's movie 'JFK', illustrated with the help of one short sequence (Paperback)
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The narrative of the assassination of John F. Kennedy in Oliver Stone's movie 'JFK', illustrated with the help of one short sequence (Paperback)
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Seminar paper from the year 2004 in the subject American Studies -
Culture and Applied Geography, grade: 1,7, Free University of
Berlin (John F. Kennedy Institut Berlin), course: HS American
Cultural Memory: Trauma, Collective Imagery and the Politics of
Remembering, 5 entries in the bibliography, language: English,
abstract: Not many topics have produced more material than the
subject of John F. Kennedy and his tragic death in November 1963.
The more publications have occurred and keep occurring, the more it
seems that narratives and explanations are multiplying and
differing. John F. Kennedy is not only being remembered by the
political world or his friends and family, he has become a symbol
of youth, progress and reform which is being remembered by all
kinds of people and all parts of society. Kennedy is being
portrayed in popular culture such as movies, music, pop art and
photography. His face is reoccurring constantly in the history
books and in modern art. This text focuses on the cultural
narrative of John F. Kennedy and his assassination in the movie
"JFK" (directed by Oliver Stone in 1991). I am aware that there are
multiple ways of approaching the subject of JFK and especially that
John F. Kennedy means different things to different people. I will
not try to cover all possible narratives involving JFK and the
assassination but I will explain that the movie "JFK" had a
specific agenda and a certain narrative which was portrayed very
explicitly to the audience. When John F. Kennedy was assassinated,
Oliver Stone was a teenager and thought of the killing of the
president as a turning point in American modern history. After he
had read Jim Garrison's novel "On the trail of the Assassins"
(1988) in which Garrison, the district attorney of New Orleans at
the time of JFK's death, described his research concerning the
death of JFK, he decided to make a movie out of Garrison's story.
His decision to direct "JFK" paid off not only because the movie
stimulated a he
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