Our image of Beethoven has been transformed by the research
generated by a succession of scholars and theorists who blazed new
trails from the 1960s onwards. This collection of articles written
by leading Beethoven scholars brings together strands of this
mainly Anglo-American research over the last fifty years and
addresses a range of key issues. The volume places Beethoven
scholarship within a historical and contemporary context and
considers the future of Beethoven studies.
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