The English-speaking whites of South Africa participate in the
larger culture of the English-speaking world while rejecting its
unspoken consensual positions on many basic issues. This study
analyzes texts of different kinds produced by the group to examine
the way these deviant English-speakers see themselves, and
particularly how this self-image is influenced by the presence of
the blacks who constitute a crucial part of their perceptual field.
Economically powerful but politically marginal for many years, the
English-speaking whites have always been mediators of their
community's experience to the world culture of the English
language; the study shows how the act of mediation operates in more
than one direction, producing a literary tradition that is
essentially - and perhaps surprisingly - dissident.
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