Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespearean Metaphysics (Paperback)
Loot Price: R1,069
Discovery Miles 10 690
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Shakespearean Metaphysics (Paperback)
Series: Shakespeare Now!
Expected to ship within 10 - 15 working days
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Metaphysics is usually associated with that part of the
philosophical tradition which asks about 'last things', questions
such as: How many substances are there in the world? Which is more
fundamental, quantity or quality? Are events prior to things, or do
they happen to those things? While he wasn't a philosopher,
Shakespeare was obviously interested in 'ultimates' of this sort.
Instead of probing these issues with argument, however, he did so
with plays. Shakespearean Metaphysics argues for Shakespeare's
inclusion within a metaphysical tradition that opposes empiricism
and Cartesian dualism. Through close readings of three major plays
- The Tempest, King Lear and Twelfth Night - Witmore proposes that
Shakespeare's manner of depicting life on stage itself constitutes
an 'answer' to metaphysical questions raised by later thinkers as
Spinoza, Bergson, and Whitehead. Each of these readings shifts the
interpretative frame around the plays in radical ways; taken
together they show the limits of our understanding of theatrical
play as an 'illusion' generated by the physical circumstances of
production.
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