Between 1740 and 1780, Empress Maria Theresa governed the
Habsburg Empire, a multilingual conglomeration of states centered
on Austria. Although recent historical scholarship has addressed
Maria Theresa's legacy, she remains entirely absent from art
history despite her notable role in shaping eighteenth-century
European diplomatic, artistic, and cultural developments. In
Empress Maria Theresa and the Politics of Habsburg Imperial Art,
Michael Yonan explores the role that material culture--paintings,
architecture, porcelain, garden sculpture, and decorative
objects--played in forming the monarchical identity of this
historically prominent woman ruler.
Maria Theresa never obtained her power from men, but rather
inherited it directly through birthright. In the art and
architecture she commissioned, as well as the objects she
incorporated into court life, she redefined visually the idea of a
sovereign monarch to make strong claims for her divine right to
rule and for hereditary continuity, but also allowed for
flexibility among multiple and conflicting social roles. Through an
examination of Maria Theresa's patronage, Michael Yonan
demonstrates how women, art, and power interrelated in an unusual
historical situation in which power was legitimated in women's
terms.
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