The Symbolist art movement of the late nineteenth century forms an
important bridge between Impressionism and Modernism. But because
Symbolism, more than the two movements it links, emphasizes ideas
over objects and events, it has suffered from vague and conflicting
definitions. In "Symbolist Art in Context", Michelle Facos offers a
clearly written, comprehensive, and accessible description of this
challenging subject. Reaching back into Romanticism for Symbolism's
origins, Facos argues that Symbolism enabled artists (including
Munch and Gauguin) to confront an increasingly uncertain and
complex world - one to which pessimists responded with themes of
decadence and degeneration and optimists with idealism and reform.
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