Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Electronic & video art
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Thinking in Film - The Politics of Video Art Installation According to Eija-Liisa Ahtila (Hardcover)
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Thinking in Film - The Politics of Video Art Installation According to Eija-Liisa Ahtila (Hardcover)
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What is a moving image, and how does it move us? In Thinking In
Film, celebrated theorist Mieke Bal engages in an exploration -
part dialogue, part voyage - with the video installations of
Finnish artist Eija-Liisa Ahtila to understand movement as artistic
practice and as affect. Through fifteen years of Ahtila's practice,
including such seminal works as The Annunciation, Where Is Where?
and The House, Bal searches for the places where theoretical and
artistic practices intersect, to create radical spaces in which
genuinely democratic acts are performed. Bringing together
different understandings of 'figure' from form to character, Bal
examines the syntax of the exhibition and its ability to bring
together installations, the work itself, the physical and
ontological thresholds of the installation space and the use of
narrative and genre. The double meaning of 'movement', in Bal's
unique thought, catalyses anunderstanding of video installation
work as inherently plural, heterogenous and possessed of
revolutionary political potential. The video image as an art form
illuminates the question of what an image is, and the installation
binds viewers to their own interactions with the space. In this
context Bal argues that the intersection between movement and space
creates an openness to difference and doubt. By 'thinking in' art,
we find ideas not illustrated by but actualized in artworks. Bal
practices this theory in action to demonstrate how the video
installation can move us to think beyond ordinary boundaries and
venture into new spaces. There is no act more radical than figuring
a vision of the 'other' as film allows artto do. Thinking In Film
is Mieke Bal ather incisive, innovative best as she opens up the
miraculous political potential of the condensed art of the moving
image.
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