Women from all over the country came to New Orleans in 1884 for
the Woman's Department of the Cotton Centennial Exposition, that
portion of the World's Fair exhibition devoted to the celebration
of women's affairs and industry. Their conversations and
interactions played out as a drama of personalities and
sectionalism at a transitional moment in the history of the nation.
These women planted seeds at the Exposition that would have
otherwise taken decades to drift southward.
This book chronicles the successes and setbacks of a lively cast
of postbellum women in the first Woman's Department at a world's
fair in the Deep South. From a wide range of primary documents,
Miki Pfeffer recreates the sounds and sights of 1884 New Orleans
after Civil War and Reconstruction. She focuses on how difficult
unity was to achieve, even when diverse women professed a common
goal. Such celebrities as Julia Ward Howe and Susan B. Anthony
brought national debates on women's issues to the South for the
first time, and journalists and ordinary women reacted. At the
World's Industrial and Cotton Centennial Exposition, the Woman's
Department became a petri dish where cultures clashed but where
women from across the country exchanged views on propriety, jobs,
education, and suffrage. Pfeffer memorializes women's exhibits of
handwork, literary and scientific endeavors, inventions, and
professions, but she proposes that the real impact of the six-month
long event was a shift in women's self-conceptions of their public
and political lives. For those New Orleans ladies who were ready to
seize the opportunity of this uncommon forum, the Woman's
Department offered a future that they had barely imagined.
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