This book mainly discusses about the alter ego perspectives in
literary historiography. This comparative analysis of the major
Chinese literary histories in China and in the West brings to light
the alter ego perspectives of Stephen Owen in literary
historiography. The most interesting part of the book will be the
interpretation of new notions and perspectives proposed by Stephen
Owen, especially in the newly published The Cambridge History of
Chinese Literature (2010). This book gives a detailed overview
about the different stages of writing Chinese literary history and
the different modes of literary historiography in China and in the
West. Two case studies of Chinese poems are made on the notion of
discursive communities and the Cultural Tang. Readers will a better
understanding about the paradigm of literary historiography and the
interrelationships between the different modes of literary
historiography and the intellectual history.
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