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Staged - Show Trials, Political Theater, and the Aesthetics of Judgment (Hardcover)
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Staged - Show Trials, Political Theater, and the Aesthetics of Judgment (Hardcover)
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Theater requires artifice, justice demands truth. Are these demands
as irreconcilable as the pejorative term "show trials" suggests?
After the Second World War, canonical directors and playwrights
sought to claim a new public role for theater by restaging the
era's great trials as shows. The Nuremberg trials, the Eichmann
trial, and the Auschwitz trials were all performed multiple times,
first in courts and then in theaters. Does justice require both
courtrooms and stages? In Staged, Minou Arjomand draws on a rich
archive of postwar German and American rehearsals and performances
to reveal how theater can become a place for forms of storytelling
and judgment that are inadmissible in a court of law but
indispensable for public life. She unveils the affinities between
dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and
philosophers such as Hannah Arendt and Walter Benjamin, showing how
they responded to the rise of fascism with a new politics of
performance. Linking performance with theories of aesthetics,
history, and politics, Arjomand argues that it is not subject
matter that makes theater political but rather the act of judging a
performance in the company of others. Staged weaves together
theater history and political philosophy into a powerful and timely
case for the importance of theaters as public institutions.
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