Addressing both the literature and the visual arts of
Anglo-American modernism, The Geometry of Modernism recovers a
crucial development of modernism's early years that until now has
received little sustained critical attention: the distinctive idiom
composed of geometric forms and metaphors generated within the
early modernist movement of Vorticism, formed in London in 1914.
Focusing on the work of Wyndham Lewis, leader of the Vorticist
movement, as well as Ezra Pound, H.D., and William Butler Yeats,
Hickman examines the complex of motives out of which Lewis
initially forged the geometric lexicon of Vorticism--and then how
Pound, H.D., and Yeats later responded to it and the values that it
encoded, enlisting both the geometric vocabulary and its attendant
assumptions and ideals, in transmuted form, in their later
modernist work.
Placing the genesis and appropriation of the geometric idiom in
historical context, Hickman explores how despite its brevity as a
movement, Vorticism in fact exerted considerable impact on
modernist work of the years between the wars, in that its geometric
idiom enabled modernist writers to articulate their responses to
both personal and political crises of the 1930s and 1940s. Informed
by extensive archival research as well as treatment of several of
the least-known texts of the modernist milieu, The Geometry of
Modernism clarifies and enriches the legacy of this vital
period.
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