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Depression Glass - Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Williams (Paperback)
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Depression Glass - Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Williams (Paperback)
Series: Literary Criticism and Cultural Theory
Expected to ship within 12 - 17 working days
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This interdisciplinary study examines the interrelations between
the documentary poetics of "Objectivism" in the United States
during the 1930s. Focusing on three volumes published by the
Objectivist Press in 1934--Charles Reznikoff's Testimony, George
Oppen's Discrete Series, and William Carlos William's Collected
Poems, 1921-1931--the book examines both photographic and
linguistic images, along with criticism, correspondence,
transcripts of interviews and lectures, contemporary periodicals
and other documentary sources from these years. Reznikoff, Oppen,
and Williams each constructed textual objects that aspired to the
condition of the photograph, and the successes as well as the
failures of that aspiration are the subject of this book.
Juxtaposing selected works by these three poets with the camera
work of Walker Evans, Lewis Hine, and Alfred Stieglitz, Depression
Glass also exposes some of the fundamental affinities between
documentary photography and modern poetry as forms of expression.
This study challenges some of the critical commonplaces of American
modernism by demonstrating how these poets comprised an alternative
"tradition" dedicated to a project of social realism that would
later become the exclusive territory of prose.
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