In this volume, 8 lively, original essays by eminent scholars trace
the kaleidoscopically shifting dramatic forms, performance
contexts, and social implications of tragedy throughout the period
and across geographic, political, and social references. They
attend not only to the familiar cultural lenses of English and
mainstream Continental dramas but also to less familiar European
exempla from Croatia and Hungary. Each chapter takes a different
theme as its focus: forms and media; sites of performance and
circulation; communities of production and consumption; philosophy
and social theory; religion, ritual and myth; politics of city and
nation; society and family, and gender and sexuality.
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