Spanish American fiction became a world phenomenon in the
twentieth century through multilanguage translations of such novels
as Gabriel Garcia Marquez's One Hundred Years of Solitude, Manuel
Puig's Kiss of the Spider Woman, Octavio Paz's Labyrinth of
Solitude, and Isabel Allende's House of the Spirits. Yet these
"blockbusters" are only a tiny fraction of the total, rich
outpouring of Spanish-language literature from Latin America.
In this book, Naomi Lindstrom offers English-language readers a
comprehensive survey of the century's literary production in Latin
America (excluding Brazil). Discussing movements and trends, she
places the famous masterworks in historical perspective and
highlights authors and works that deserve a wider readership. Her
study begins with Rodo's famous essay Ariel and ends with Rigoberta
Menchu's 1992 achievement of the Nobel Prize. Her selection of
works is designed to draw attention, whenever possible, to works
that are available in good English translations.
A special feature of the book is its treatment of the "postboom"
period. In this important concluding section, Lindstrom discusses
documentary narratives, the new interrelations between popular
culture and literary writing, and underrepresented groups such as
youth cultures, slum dwellers, gays and lesbians, and ethnic
enclaves. Written in accessible, nonspecialized language,
Twentieth-Century Spanish American Fiction will be equally useful
for general readers as a broad overview of this vibrant literature
and for scholars as a reliable reference work.
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