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Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)

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Music and Belonging Between Revolution and Restoration (Hardcover) Loot Price: R2,420
Discovery Miles 24 200
Music and Belonging Between Revolution and Restoration (Hardcover): Naomi Waltham-Smith

Music and Belonging Between Revolution and Restoration (Hardcover)

Naomi Waltham-Smith

Series: Critical Conjunctures in Music and Sound

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Loot Price R2,420 Discovery Miles 24 200 | Repayment Terms: R227 pm x 12*

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In what ways is music implicated in the politics of belonging? How is the proper at stake in listening? What role does the ear play in forming a sense of community? Music and Belonging argues that music, at the level of style and form, produces certain modes of listening that in turn reveal the conditions of belonging. Specifically, listening shows the intimacy between two senses of belonging: belonging to a community is predicated on the possession of a particular property or capacity. Somewhat counter-intuitively, Waltham-Smith suggests that this relation between belonging-as-membership and belonging-as-ownership manifests itself with particular clarity and rigor at the very heart of the Austro-German canon, in the instrumental music of Haydn, Mozart, and Beethoven. Music and Belonging provocatively brings recent European philosophy into contact with the renewed music-theoretical interest in Formenlehre, presenting close analyses to show how we might return to this much-discussed repertoire to mine it for fresh insights. The book's theoretical landscape offers a radical update to Adornian-inspired scholarship, working through debates over relationality, community, and friendship between Derrida, Nancy, Agamben, Badiou, and Malabou. Borrowing the deconstructive strategies of closely reading canonical texts to the point of their unraveling, the book teases out a new politics of listening from processes of repetition and liquidation, from harmonic suppressions and even from trills. What emerges is the enduring political significance of listening to this music in an era of heightened social exclusion under neoliberalism.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Series: Critical Conjunctures in Music and Sound
Release date: August 2017
Authors: Naomi Waltham-Smith (Assistant Professor)
Dimensions: 242 x 184 x 25mm (L x W x T)
Format: Hardcover
Pages: 280
ISBN-13: 978-0-19-066200-4
Categories: Books > Humanities > Philosophy > General
Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Philosophy > General
Books > Music > Theory of music & musicology > General
Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
LSN: 0-19-066200-X
Barcode: 9780190662004

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