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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Religious subjects depicted in art

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The Religious Paintings of Hendrick ter Brugghen - Reinventing Christian Painting after the Reformation in Utrecht (Hardcover, New Ed) Loot Price: R4,222
Discovery Miles 42 220
The Religious Paintings of Hendrick ter Brugghen - Reinventing Christian Painting after the Reformation in Utrecht (Hardcover,...

The Religious Paintings of Hendrick ter Brugghen - Reinventing Christian Painting after the Reformation in Utrecht (Hardcover, New Ed)

Natasha T Seaman

Series: Visual Culture in Early Modernity

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Loot Price R4,222 Discovery Miles 42 220 | Repayment Terms: R396 pm x 12*

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The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.

General

Imprint: Ashgate Publishing Limited
Country of origin: United Kingdom
Series: Visual Culture in Early Modernity
Release date: July 2012
First published: 2012
Authors: Natasha T Seaman
Dimensions: 246 x 174 x 18mm (L x W x T)
Format: Hardcover
Pages: 194
Edition: New Ed
ISBN-13: 978-1-4094-3495-5
Categories: Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Religious subjects depicted in art
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LSN: 1-4094-3495-8
Barcode: 9781409434955

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