This original three-part study examines Russia, Russians and their
culture in Joyce's life and establishes a Russian theme running
through his work as a whole, from the earliest writings to
Finnegans Wake. It discusses contacts and parallels between Joyce
and three Russian figures: Bely, Nabokov and Eisenstein (and, more
briefly, Pasternak). Thirdly, it details the Soviet reception of
Joyce from 1922 until publication of the first Russian Ulysses in
1989, as well as surveying Marxist approaches to Joyce. A full
bibliography of Russian and western sources is included.
General
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