One of the most important playwrights of the Irish Renaissance,
John Millington Synge is receiving renewed attention as his works
are reread in light of the political and cultural contexts of his
time. This book argues that his plays are far more deeply rooted,
thematically and aesthetically, in the ancient native literature
than was previously believed. It demonstrates that Synge borrowed
themes and ideology from the ancient culture, serving as a
nationalist agenda far more radical and modern than the agendas of
the most common nationalists in his day. Synge rejects these
nationalists, whom he believed were embracing foreign influences
that were drowning Ireland in conservatively capitalistic
initiatives and values.
The book's most important section examines DEGREESIThe Playboy
of the Western World. DEGREESR It discusses the play's characters
as representative and recognizable types and reconsiders the play's
thematic depiction of violence. Synge's representation of both
commenced the process of separating and identifying the nationalist
camps in Dublin from 1907 on. The volume argues that Synge's play
drafted what became the Easter Rising. This argument is furthered
through Synge's DEGREESIDeirdre of the Sorrows DEGREESR and the
influence that his works ultimately bore on the plays and
ideologies of Thomas MacDonagh, Padaraic Pearse, and James
Connolly. The book also explores the acting style originally used
to perform Synge's plays, thus gathering further evidence for its
argument.
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