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Organ-building in Georgian and Victorian England - The Work of Gray & Davison, 1772-1890 (Hardcover)
Loot Price: R4,106
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Organ-building in Georgian and Victorian England - The Work of Gray & Davison, 1772-1890 (Hardcover)
Series: Music in Britain, 1600-2000
Expected to ship within 12 - 17 working days
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The London firm of Gray (later Gray & Davison) was one of
Britain's leading organ-makers between the 1790s and the 1880s.
Established for the building of keyboard instruments, by the
mid-1790s the workshop of brothers Robert and William Gray had
become one of the leading organ-makers in London, with instruments
in St Paul's, Covent Garden and St Martin-in-the-Fields. Under
William's son John Gray, the firm built some of the largest English
organs of the 1820s and 1830s, as well as exporting major
instruments to Boston and Charleston in the United States. In the
early 1840s, with the marriage of John Gray's daughter to Frederick
Davison - a member of the circle of Bach-enthusiasts around the
composer Samuel Wesley - the firm became 'Gray & Davison'.
Davison was a progressive figure who reformed workshop practices,
commissioned a purpose-built organ factory in Euston Road and
opened a branch workshop in Liverpool to exploit the booming market
for church organs in Lancashire and the north-west. Under Davison's
management,the firm was responsible for significant mechanical and
musical innovations, especially in the design of concert organs.
Instruments such as those built in the 1850s for Glasgow City Hall,
the Crystal Palace and Leeds Town Hall were heavily influenced by
contemporary French practice; they were designed to perform a
repertoire dominated by orchestral transcriptions. Many of the
instruments made by the firm have been lost or altered; but the
surviving organs in St Anne, Limehouse (1851), Usk Parish Church
(1861) and Clumber Chapel (1889) testify to the quality and
importance of Gray & Davison's work. This book charts the
firm's history from its foundation in 1772 to Frederick Davison's
death in 1889. At the same time, it describes changes in musical
taste and liturgical use and explores such topics as provincial
music festivals, the town hall organ, domestic music-making and
popular entertainment, the building of churches and the impact on
church music of the Evangelical and Tractarian movements. It will
appeal to organ aficionados interested in the evolution of the
English organ in the later Georgian and Victorian eras, as well as
other music scholars and cultural historians.
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