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The Desiring-Image - Gilles Deleuze and Contemporary Queer Cinema (Paperback, New)
Loot Price: R1,272
Discovery Miles 12 720
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The Desiring-Image - Gilles Deleuze and Contemporary Queer Cinema (Paperback, New)
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Total price: R1,282
Discovery Miles: 12 820
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The Desiring-Image yields new models of queer cinema produced since
the late 1980s, based on close formal analysis of diverse films as
well as innovative contributions to current film theory. The book
defines "queer cinema" less as a specific genre or in terms of gay
and lesbian identity, but more broadly as a kind of filmmaking that
conveys sexual desire and orientation as potentially fluid within
any individual's experience, and as forces that can therefore unite
unlikely groups of people along new lines, socially, sexually, or
politically. The films driving this analysis range from celebrated
fixtures of the New Queer Cinema of the 1990s (including Cheryl
Dunye's The Watermelon Woman and Todd Haynes's Velvet Goldmine) to
sexually provocative films of the same era that are rarely
classified as queer (David Cronenberg's Dead Ringers and Naked
Lunch) to breakout films by 21st-century directors (Rodney Evans's
Brother to Brother, John Cameron Mitchell's Shortbus). To frame
these readings and to avoid heterosexist assumptions in other forms
of film analysis, The Desiring-Image revisits the work of the
philosopher Gilles Deleuze, whose two major works on cinema somehow
never address the radical ideas about desire he expresses in other
texts. This book brings those notions together in innovative ways,
making them clear and accessible to newcomers and field specialists
alike, with clear, illustrated examples drawn from a wide range of
movies extending beyond the central case studies. Thus, The
Desiring-Image speaks to readers interested in queer and
gay/lesbian studies, in film theory, in feminist and sexuality
scholarship, and in theory and philosophy, putting those discourses
into rich, surprising conversations with popular cinema of the last
30 years.
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