From the queasy zooms in Alfred Hitchcock's Vertigo to the
avant-garde mystery of Michael Snow's Wavelength, from the
excitement of televised baseball to the drama of the political
convention, the zoom shot is instantly recognizable and highly
controversial. In The Zoom, Nick Hall traces the century-spanning
history of the zoom lens in American film and television. From late
1920s silent features to the psychedelic experiments of the 1960s
and beyond, the book describes how inventors battled to provide
film and television studios with practical zoom lenses, and how
cinematographers clashed over the right ways to use the new zooms.
Hall demonstrates how the zoom brought life and energy to cinema
decades before the zoom boom of the 1970s and reveals how the zoom
continues to play a vital and often overlooked role in the
production of contemporary film and television.
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