This interdisciplinary volume interrogates bodily thinking in
avant-garde texts from Spain and Italy during the early twentieth
century and their relevance to larger modernist preoccupations with
corporeality. It examines the innovative ways Spanish and Italian
avant-gardists explored the body as a locus for various aesthetic
and sociopolitical considerations and practices. In reimagining the
nexus points where the embodied self and world intersect, the texts
surveyed in this book not only shed light on issues such as
authority, desire, fetishism, gender, patriarchy, politics,
religion, sexuality, subjectivity, violence, and war during a
period of unprecedented change, but also explore the complexities
of aesthetic and epistemic rupture (and continuity) within Spanish
and Italian modernisms. Building on contemporary scholarship in
Modernist Studies and avant-garde criticism, this volume brings to
light numerous cross-cultural touch points between Spain and Italy,
and challenges the center/periphery frameworks of European cultural
modernism. In linking disciplines, genres, -isms, and geographical
spheres, the book provides new lenses through which to explore the
narratives of modernist corporeality. Each contribution centers
around the question of the body as it was actively being debated
through the medium of poetic, literary, and artistic exchange,
exploring the body in its materiality and form, in its
sociopolitical representation, relation to Self, cultural
formation, spatiality, desires, objectification, commercialization,
and aesthetic functions. This comparative approach to Spanish and
Italian avant-gardism offers readers an expanded view of the
intersections of body and text, broadening the conversation in the
larger fields of cultural modernism, European Avant-garde Studies,
and Comparative Literature.
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