First published in 1967, this is a study which tackles the central
problem of meaning, within Ezra Pound's The Cantos. It deals with
the question of important critical issues, as well as of
interpretation and understanding. Students of modern poetry will
derive great benefit from this vigorous and lucid analysis of
Pound's masterpiece. Noel Stock's finding is radical: that The
Cantos is not a really a poem at all, but rather notes towards a
poem. It is a collection of fragments of varying quality - some of
extraordinary power and beauty - but in no sense formed into a work
of art.
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