Although Gustav Mahler was a famous conductor in Vienna and New
York, the music that he wrote was condemned during his lifetime and
for many years after his death in 1911. "Pages of dreary
emptiness," sniffed a leading American conductor. Yet today, almost
one hundred years later, Mahler has displaced Beethoven as a
box-office draw and exerts a unique influence on both popular music
and film scores.
Mahler's coming-of-age began with such 1960s phenomena as Leonard
Bernstein's boxed set of his symphonies and Luchino Visconti's film
"Death in Venice, " which used Mahler's music in its sound track.
But that was just the first in a series of waves that established
Mahler not just as a great composer but also as an oracle with a
personal message for every listener. There are now almost two
thousand recordings of his music, which has become an irresistible
launchpad for young maestros such as Gustavo Dudamel.
Why Mahler? Why does his music affect us in the way it does?
Norman Lebrecht, one of the world's most widely read cultural
commentators, has been wrestling obsessively with Mahler for half
his life. Pacing out his every footstep from birthplace to grave,
scrutinizing his manuscripts, talking to those who knew him,
Lebrecht constructs a compelling new portrait of Mahler as a man
who lived determinedly outside his own times. Mahler was--along
with Picasso, Einstein, Freud, Kafka, and Joyce--a maker of our
modern world.
"Mahler dealt with issues I could recognize," writes Lebrecht,
"with racism, workplace chaos, social conflict, relationship
breakdown, alienation, depression, and the limitations of medical
knowledge." "Why Mahler? "is a book that shows how music can change
our lives.
"From the Hardcover edition."
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