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Under the Counter - Britain's Trade in Hardcore Pornographic 8mm Films (Hardcover, New edition)
Loot Price: R2,466
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Under the Counter - Britain's Trade in Hardcore Pornographic 8mm Films (Hardcover, New edition)
Series: BCMCR New Directions in Media and Cultural Research
Expected to ship within 12 - 17 working days
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Prior to 2000, it was a criminal offence to sell hardcore
pornography in Britain. Despite this, there was a thriving
alternative economy producing and distributing such material "under
the counter" of Soho's bookshops and via mail-order. British
entrepreneurs circumvented obscenity laws to satisfy the demand for
uncensored adult films and profit from their enterprise, with the
corrupt Obscene Publications Squad permitting them to trade. By the
late 1960s, Britain had developed an international reputation for
producing 'rollers', short films distributed on 8mm, which were
smuggled out of Britain for sale in Western Europe. Following an
expose by Britain's tabloid press, a crackdown on police corruption
and several high-profile obscenity trials, the trade was all but
decimated, with pornography smuggled in from Europe dominating the
market. Under the Counter is the first book of its kind to
investigate Britain's trade in illicit pornographic 8mm film.
Drawing on extensive archival research, including the use of legal
records, police files, media reportage, and interviews with those
who were involved in the business, Under the Counter tells the
story of Britain's trade in 8mm hardcore pornographic films and its
regulation, incorporating ideas from cultural studies, political
economy, history and criminology. Under the Counter is a scholarly
monograph that will be of interest to researchers across a wide
range of disciplines and will be of use to students at
undergraduate, Masters level and PhD. The book will be of
particular relevance to students and researchers interested in the
study of pornography, sexual cultures, illicit media enterprise and
entrepreneurship, but also those with an interest in film
production and distribution, particularly within a British context.
The theoretical frameworks that underpin the book mean that
researchers with an interest in the creative industries will be
able to make use of it and the book makes a contribution to media
and cultural history. It is suitable for use on university courses
relating to these specific areas, specifically media and
communication, film studies, creative industries, and potentially
on criminology or socio-legal studies, given the books attention to
obscenity law and regulation of illicit practices.
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