Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600
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Still-Life as Portrait in Early Modern Italy - Baschenis, Bettera and the Painting of Cultural Identity (Hardcover, 0)
Loot Price: R4,480
Discovery Miles 44 800
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Still-Life as Portrait in Early Modern Italy - Baschenis, Bettera and the Painting of Cultural Identity (Hardcover, 0)
Series: Visual and Material Culture, 1300-1700
Expected to ship within 12 - 17 working days
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Still-Life as Portrait in Early Modern Italy centers on the
still-life compositions created by Evaristo Baschenis and
Bartolomeo Bettera, two 17th-century painters living and working in
the Italian city of Bergamo. This highly original study explores
how these paintings form a dynamic network in which artworks,
musical instruments, books, and scientific apparatuses constitute
links to a dazzling range of figures and sources of knowledge.
Putting into circulation a wealth of cultural information and ideas
and mapping a complex web of social and intellectual relations,
these works paint a portrait of both their creators and their
patrons, while enacting a lively debate among humanist thinkers,
aristocrats, politicians, and artists. The unique contribution of
this groundbreaking study is that it identifies for the first time
these intellectually rich concepts that arise from these
fascinating still-life paintings, a genre considered as "low".
Engaging with literary blockbusters and banned books, theatrical
artifice and music, and staging a war among the arts, Baschenis and
Bettera capture the latest social intrigues, political rivalries,
intellectual challenges, and scientific innovations of their time.
In doing so, they structure an unstable economy of social,
aesthetic, and political values that questions the notion of
absolute truth, while probing the distinctions between life and
artifice, meaningless marks and meaningful signs.
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