Spanning Stoppard's career from "Rosencrantz and Guildenstern are
Dead" (1967) to "Hapgood" (1988), this study shows his development
in the author from moral affirmation to moral application, from the
assertion of moral principles to the enactment of moral practice.
Using Stoppard's words in a number of interviews as a starting
point, the author shows how the major plays bear out Stoppard's
contention that he "tries to be consistent about morality". The
text is accompanied by a bibliography and discography of Stoppard
interviews (over 200 including print and broadcast sources).
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